Reviewed by Aaron Haynes
Dear
Mr. Collins,
It has recently come to my attention that in 2001 you released a
short 3DMM movie titled 'In the Box', detailing the events
surrounding a buried cardboard box containing the amount of ten
million dollars U.S. currency and the efforts of several people
to obtain it. This film made use of some of the most inventive,
fast-paced camerawork to create what I have to confess is the
single most exhilarating experience I have ever had with a short
movie. The purpose of my letter is to inform you of the crimes
against humanity you have committed by not continuing to produce
works of this caliber with the 3D Movie Maker Program. My
associates and I have done the calculations, Mr. Collins. It
turns out that the cruelty of your creative inaction with this
program is the moral equivalent of killing no less than six
hundred starving babies, most of whom are on fire.
Detailed analysis was conducted on your film as per request by
one James Quicksell, who goes by the name 'Orcus' on the 3D
Movie Maker community bulletin board. After thorough
investigation and examination, my associates and I have
concluded that the use of slow-motion, quick pans and zooms, and
incredibly tight editing and pacing are what can only be called
"astonishing." The concept was deemed "highly original" and
initial worries that its possibilities would be underdeveloped
were quickly forgotten and the people who voiced them severely
beaten for their ignorance. Many comparisons were made with
several other films and our analysts were surprised to discover
that In the Box feels more cohesive and cinematically powerful
as a whole than many present-day outings, and that it barely
showed its age at all. The voice acting took a while to catch on
for several of us, but was ultimately deemed quirky and served
to enhance the narrative in a highly entertaining way.
The Offspring music in the opening and PAM-nature of the film
felt more like appreciative homages than a face-value stylistic
decision, which bode well for the general consensus that it was
highly original. All of this serves as compound interest to the
unspeakable atrocity you have committed by not continuing your
career over the past few years, of course. Consistency was found
with another outing of yours, entitled 'Ammunition Unlimited',
in which some of the most creative ideas for action and camera
angles were utilized to propel the film far beyond its PAM
roots. A similar effect is obtained here, with a relatively
simple premise greatly enhanced by supremely imaginative ideas
and tongue-in-cheek plot developments with mega conglomerate
CEOs and people falling off cliffs. Some truly unique humor,
including a very funny joke involving the skin color of a
burglar, further adds to the charges we have presented against
you.
Upon detailed examination of this relic from your past, Mr.
Collins, I am left with no choice but to present these most
heinous of accusations before you. The distinct lack of your
brilliantly creative mind at work in this community is felt in
some innate way by all who frequent the New Releases forum. But
it is not too late, Mr. Collins. These charges will be dropped
immediately, no questions asked, upon the release of a new
full-length film directed by you. Prolonged inaction, on the
other hand, will force us to deal out a swift and painful
punishment. In conclusion, I can only say thus: Pick up the
mouse, or spread 'em, my friend.
Sincerely, Aaron Haynes
Critical Score: 93/100.
Personal Score: 95/100.
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